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Stock | Mondomusica New York 2013

41 images Created 18 Mar 2013

Mondomusica New York brings stringed instrument makers and dealers from the Americas, Europe and Asia to New York for three days of exposition, trade show, conferences and concerts.
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  • Tetsu Suzuki, a maker and resstorer of string instruments and bows, plays a double bass.
    EJL-130315-1008.jpg
  • Edgar Russ, an Austrian-born luthier with a workshop in Cremona, tunes a cello.
    EJL-130315-1010.jpg
  • Gordon Carson of Mountain Voice Soundwoods in Valemont, BC, Canada, with samples of spruce. Wood for musical instruments is split from the tree trunk, and adjoining planks are numbered so the grain will be bookmatched in the finished instrument.
    EJL-130315-1029.jpg
  • Pieter Affourtit plays with one of his snakewood baroque-style bows with a "pike" or "swan-bill" head.
    EJL-130315-1037.jpg
  • Baroque-style violin bows made of snakewood by Pieter Affourtit of the Netherlands.
    EJL-130315-1041.jpg
  • Luthier Gabriela Guadalajara shows a viola da Gamba to a show visitor.
    EJL-130315-1043.jpg
  • Bows made by Joseph Regh, of Regh Violins. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1046.jpg
  • Joseph Regh, of Regh Violins, shows one of his bows. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1051.jpg
  • A man looks at violins in a display case. The Chamber of Commerce of Cremona showed many antique and valuable string instruments from Cremonese makers.
    EJL-130315-1062.jpg
  • Visitors examine violins. Violins at Mondomusica ranged from basic student instruments to rare vintage violins.
    EJL-130315-1065.jpg
  • A woman examines a violin displayed by the Chamber of Commerce of Cremona. Cremona, home of Antonio Stradivarius, has long been a center for violin making.
    EJL-130315-1082.jpg
  • Visitors framed by violins discuss the show.
    EJL-130315-1087.jpg
  • A woman looks at a violin displayed by the American Federation of Violin and Bow Makers.
    EJL-130315-1106.jpg
  • A member of the staff at Paul Dulude, a Boston dealer in violins, plays.
    EJL-130315-1110.jpg
  • Paul Dulude, right, shows a violin to Johnny Weizenecker, a music student at Gettysburg College.
    EJL-130315-1119.jpg
  • Johnny Weizenecker, a music student at Gettysburg College, tries a violin made by contemporary Genovese luthier Pio Montanari in the booth of Boston's Pal Dulude.
    EJL-130315-1136.jpg
  • Instruments in the booth at Paul Dulude, a Boston dealer in musical instruments.
    EJL-130315-1142.jpg
  • Violin maker Paul Davies, left, of Spur Violins in New York, discusses his new line of electric violins.
    EJL-130315-1145.jpg
  • A pestle and sheet of plate glass used for grinding pigments by hand in the booth of Germany's Kremer Pigments. The pigments are ground from traditional materials to fill the  needs of restorers of instruments and fine art.
    EJL-130315-1152.jpg
  • Jay Haide, a dealer in fine violins, in his booth.
    EJL-130315-1154.jpg
  • Maple tonewoods for sale. Maple is often used for sides and backs.
    EJL-130315-1175.jpg
  • Instruments from the Brobst Violin Shop in Alexandria, Virginia.
    EJL-130315-1189.jpg
  • A man examines an instrument in the booth of French dealer Jean Yves Tanguy.
    EJL-130315-1199.jpg
  • Jean Yves Tanguy, a French restorer of musical instruments, in the process of retrieving a sound post that has slipped out of place. The sound post is wedged in place under the bridge, between the face and back of the violin, to transmit sound from the strings to the back.
    EJL-130315-1203.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1219.jpg
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