Ed Lefkowicz photography

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  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1204.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1191.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a facilitator blows the remains of a green powder from his hand.
    EJL 191211 1168.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1271.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1238.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1228.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1215.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1114.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver and what seems to be a hank of human hair backstage.
    EJL 191211 1281.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver, a bird's claw, and some dried seahorses backstage.
    EJL 191211 1275.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1270.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a bunch of grass, backstage.
    EJL 191211 1266.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Detail of two props.
    EJL 191211 1255.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1298.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1295.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1249.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1289.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1219.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1218.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1214.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1161.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1151.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here squeeze bottles filled with different scents—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1134.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1125.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1106.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a cleaver—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1087.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a mason's hammer—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1079.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a block of granite—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1077.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1022.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A facilitator brings in boxes of props.
    EJL 191211 1014.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including hank of what seems to be humn hair backstage.
    EJL 191211 1278.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A basin of washwater backstage.
    EJL 191211 1265.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props being moved backstage to be reset for the next performance.
    EJL 191211 1260.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1120.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1100.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here rocks of varying shapes and sizes—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1064.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1030.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1015.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. The participantys enter the space prior to the performance.
    EJL 191211 1009.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Audience members react to Andrew Bird and one takes a photo on her smartphone.
    EJL-170728-5593.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Audience members react to Andrew Bird.
    EJL-170728-5583.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Audience members react to Andrew Bird.
    EJL-170728-5565.jpg
  • A group of French-Canadian musicians gather for an evening of Quebecois music at a restaurant in Burlington, Connecticut.
    EJL-090601-4746.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Audience members react to Andrew Bird.
    EJL-170728-5578.jpg
  • A group of French-Canadian musicians gather for an evening of Quebecois music at a restaurant in Burlington, Connecticut.
    EJL-090601-4674.jpg
  • 20 September 2019 - New York, NY.  Thousands of students as well as adults gathered in New York for the Global Climate Strike, meeting in Foley Square near the Federal Government buildings and New York's City Hall, and marching downtown to Battery Park, where Swedish climate activist and spokesperson Greta Thunberg addressed the crowd. A young woman holds her hand up, on the palm of which is written "Climate Justice!!"
    EJL 190920 1679.jpg
  • Brooklyn, NY - 22 May 2020. A new piece of street art by Ivan Cofield, a rebus that says no touching, in response to the COVID-19 social distancing recommendations. The hand reminds me of Michelangelo's Adam, in the creation of Adam scene in the Sistine Chapel.
    EJL 200606 1003.jpg
  • Brooklyn, NY - 26 March 2020. Residents of New York City have been asked to stay home as a result of the novel coronavirus, and all but essential businesses have been asked to close. In Brooklyn's Midwood neighborhood, many businesses have their shutters rolled down, and the few that are open limit the number of people who can enter. Corrugated cartons for home delivery of groceries are stacked in tall piles in front of Blue Ribbon Groceries on Avenue J.
    EJL 200326 1013.jpg
  • Madison, WI - March 1970. On March 15, 1970, the University of Wisconsin - Madison Teaching Assistants' Association voted to strike, and the campus was filled with picket lines as well as demonstrations of related and other issues. The strike lasted until early April, when the Association and University came to an agreement. A family with children in backpacks hands out leaflets.
    EJL 70-216-15.jpg
  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
    EJL-15515-2107.jpg
  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
    EJL-15515-2110.jpg
  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
    EJL-15515-2106.jpg
  • Pumpkin Island, ME -10 August 2014. Pumpkin Island Light, at the northern end of Eggemoggin Reach. The lighthouse is decommissioned, and is in private hands.
    Sailing_Maine_Coast_20141025.jpg
  • Brooklyn, NY - 18 June 2016. A mermaid with aqua hair hands out Pirate's Booty opcorn to the cowd.
    Mermaid-Parade-2016-1024.jpg
  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
    EJL-15515-2109.jpg
  • Pumpkin Island, ME -10 August 2014. Pumpkin Island Light, at the northern end of Eggemoggin Reach. The lighthouse is decommissioned, and is in private hands.
    Sailing_Maine_Coast_20141023.jpg
  • Pumpkin Island, ME -10 August 2014. Pumpkin Island Light, at the northern end of Eggemoggin Reach. The lighthouse is decommissioned, and is in private hands.
    Sailing_Maine_Coast_20141024.jpg
  • Children a the Meadowbrook school raise their hands to question violist Burchard Tang and cellist Priscilla Lee. Tang and Lee were participants in the Kingston Rhode Island Chamber Music Festival in 2008.
    EJL_080115_2564.jpg
  • New York, NY - 31 October 2016. A woman costumed as a cat with a cutout of Donald Trump looming over her, orange hands at her breats and groin, and a voice bubble that reads "Grab 'em by the Pussy."
    EJL-161031-1526.jpg
  • Hand sewing a bow onto the hatband of a straw hat.
    EJL-170518-1412.jpg
  • A deck hand from the schooner Appledore II coils a hose on the dock in Camden, Maine.
    Camden_Maine-1001.jpg
  • New York, NY - 1 April 2015. A man's hand reaches out to touch an ASton Martin Vulcan at the New York International Auto Show. The Vulcan is a track-only supercar with a V12 engine.
    NY_Auto_Show_2015_01.jpg
  • Workers remove sandbags on Water Street. The sandbags are being loaded into small carts by hand, then emptied into roll-away containers.
    EJL-121106-3222.jpg
  • New York, NY - 30 June 2019. The New York City Heritage of Pride March filled Fifth Avenue for hours with participants from the LGBTQ community and it's supporters. New York Governor Mario Cuome, center, hand raised high, was greeted with loud applause for having signed the law making same-sex marriage legal in New York in 2011.
    EJL 190630 1148.jpg
  • Hand sewing the finishing touches on the sweatband of a straw hat. Behind Cha Cha is an old chain-stitch sewing machine with a high arch and a short, narrow free arm, ideal for reaching into the crowns of hats.
    EJL-170518-1339.jpg
  • Rick Martin using a 19th-century hand press to rivet half-arches to the circlet, or headband, of a crown.
    EJL-100517-1095.jpg
  • Brooklyn, NY - 17 April 2016. A hand holds high a poster showing Bernie Sanders' face with the text "Our Voice." Vermont Senator Bernie Sanders, who is running as a Democrat in the U.S. Presidential primary elections, held a campaign "get out the  vote" rally in Brooklyn's Prospect Park.
    Bernie-Sanders-2016-1007.jpg
  • New York, NY, USA-27 March 2016. A woman wears a retro-themed hat with a black-gloved hand holding a martini glass with a blue egg in it  in the annual Easter Bonnet Parade and Festival.
    NY-Easter-Parade-2016-1039.jpg
  • New York, NY, USA-23 March 2016. Koenigsegg, a Swedish maker of sportscars, showed its One:1, considered by them to be the world's first "megacar." The cars are hand built, and have a 1:1 hp to kg ratio.
    NY-Auto-Show-2016-1017.jpg
  • A pestle and sheet of plate glass used for grinding pigments by hand in the booth of Germany's Kremer Pigments. The pigments are ground from traditional materials to fill the  needs of restorers of instruments and fine art.
    EJL-130315-1152.jpg
  • Beres Hammond with his hand on his guitarist's shoulder during a performance at The Biolife Sounds of Reggae at the Barclays Center.
    EJL-121212-2872.jpg
  • Capping bottles of Back River Gin by hand, Sweetgrass Winery, Union, Maine.
    EJL_080814_9129.jpg
  • New York, NY – 16 September 2019. Massachusetts Senator and Democratic Presidential candidate Elizabeth Warren drew a large and enthusiastic crowd at a speech for her increasingly popular 2020 presidential campaign in New York's Washington Square. Volunteerd handed out "She's Got a Plan Sing-Along" sheets to the crowd.
    EJL 190916 1011.jpg
  • New York, NY - 31 October 2015. A woman dressed as a Pharaonic Egyptian is handed a smartphone prior to the start of the annual Greenwich Village Halloween Parade.
    Greenwich-Village-Halloween-1008.jpg
  • Turley lettuce wraps being handed to a server in the kitchen.
    EJL-130330-1163.jpg
  • New York, NY – 16 September 2019. Massachusetts Senator and Democratic Presidential candidate Elizabeth Warren drew a large and enthusiastic crowd at a speech for her increasingly popular 2020 presidential campaign in New York's Washington Square. Volunteers handed out "I'm a Warren Democrat" signs prior to her appearance.
    EJL 190916 1026.jpg