Ed Lefkowicz photography

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  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1262.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1255.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1250.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1230.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1240.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1219.jpg