Ed Lefkowicz photography

Show Navigation
  • Portfolio
  • About
  • Stock and Archive
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • Fine Art Prints
  • Contact
  • Portfolio site
  • Quirky

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 47 images found }

Loading ()...

  • The bookmatched figured maple back of a cello from Chacoone Co, in Nagoya.
    EJL-130315-1402.jpg
  • Edgar Russ, an Austrian-born luthier with a workshop in Cremona, tunes a cello.
    EJL-130315-1010.jpg
  • Instruments from the Brobst Violin Shop in Alexandria, Virginia.
    EJL-130315-1189.jpg
  • A visitor tries a violin by Florian Leonhard Fine Violins of London.
    EJL-130315-1416.jpg
  • A contemporary lute made by Gamut Music of Duluth, Minnesota.
    EJL-130315-1405.jpg
  • Visitors shop for wood at Tone Wood International. from Cremona.
    EJL-130315-1345.jpg
  • A visitor plays a violin from Scott Cao Violins, from Campbell California.
    EJL-130315-1271.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1262.jpg
  • A man examines an instrument in the booth of French dealer Jean Yves Tanguy.
    EJL-130315-1199.jpg
  • A pestle and sheet of plate glass used for grinding pigments by hand in the booth of Germany's Kremer Pigments. The pigments are ground from traditional materials to fill the  needs of restorers of instruments and fine art.
    EJL-130315-1152.jpg
  • Instruments in the booth at Paul Dulude, a Boston dealer in musical instruments.
    EJL-130315-1142.jpg
  • Johnny Weizenecker, a music student at Gettysburg College, tries a violin made by contemporary Genovese luthier Pio Montanari in the booth of Boston's Pal Dulude.
    EJL-130315-1136.jpg
  • Visitors framed by violins discuss the show.
    EJL-130315-1087.jpg
  • A woman examines a violin displayed by the Chamber of Commerce of Cremona. Cremona, home of Antonio Stradivarius, has long been a center for violin making.
    EJL-130315-1082.jpg
  • A man looks at violins in a display case. The Chamber of Commerce of Cremona showed many antique and valuable string instruments from Cremonese makers.
    EJL-130315-1062.jpg
  • Luthier Gabriela Guadalajara shows a viola da Gamba to a show visitor.
    EJL-130315-1043.jpg
  • Gordon Carson of Mountain Voice Soundwoods in Valemont, BC, Canada, with samples of spruce. Wood for musical instruments is split from the tree trunk, and adjoining planks are numbered so the grain will be bookmatched in the finished instrument.
    EJL-130315-1029.jpg
  • Japanese Soloist Madoka Miki plays a violin from Chaconne Co. Ltd. from Nagoya. Several Japanese firms exhibited at Mondomusica.
    EJL-130315-1368.jpg
  • A couple examines the scroll of a violin in the booth of the American Federation of Viollin and Bow Makers.
    EJL-130315-1339.jpg
  • A violin from the collection of Nick Frirsz, of Frirsz Music. The violin was made in 1947, and was taken apart and smuggled out of Hungary when the family escaped the communists.
    EJL-130315-1318.jpg
  • Finger planes for sale. These small brass-bodied planes are used to shape small and curved surfaces.
    EJL-130315-1305.jpg
  • A visitor tries a violin from Scott Cao Violins, from Campbell California. Cao is in the center of the frame, in the green sleeveless sweater.
    EJL-130315-1283.jpg
  • Visitors try instruments at Carriage House Violins, from Newton Upper Falls, Massachusetts.
    EJL-130315-1266.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1255.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1250.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1240.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1230.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1219.jpg
  • Jean Yves Tanguy, a French restorer of musical instruments, in the process of retrieving a sound post that has slipped out of place. The sound post is wedged in place under the bridge, between the face and back of the violin, to transmit sound from the strings to the back.
    EJL-130315-1203.jpg
  • Maple tonewoods for sale. Maple is often used for sides and backs.
    EJL-130315-1175.jpg
  • Jay Haide, a dealer in fine violins, in his booth.
    EJL-130315-1154.jpg
  • Paul Dulude, right, shows a violin to Johnny Weizenecker, a music student at Gettysburg College.
    EJL-130315-1119.jpg
  • A member of the staff at Paul Dulude, a Boston dealer in violins, plays.
    EJL-130315-1110.jpg
  • A woman looks at a violin displayed by the American Federation of Violin and Bow Makers.
    EJL-130315-1106.jpg
  • Visitors examine violins. Violins at Mondomusica ranged from basic student instruments to rare vintage violins.
    EJL-130315-1065.jpg
  • Joseph Regh, of Regh Violins, shows one of his bows. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1051.jpg
  • Bows made by Joseph Regh, of Regh Violins. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1046.jpg
  • Pieter Affourtit plays with one of his snakewood baroque-style bows with a "pike" or "swan-bill" head.
    EJL-130315-1037.jpg
  • Tetsu Suzuki, a maker and resstorer of string instruments and bows, plays a double bass.
    EJL-130315-1008.jpg
  • Violin maker Paul Davies, left, of Spur Violins in New York, discusses his new line of electric violins.
    EJL-130315-1145.jpg
  • Baroque-style violin bows made of snakewood by Pieter Affourtit of the Netherlands.
    EJL-130315-1041.jpg
  • Violist Burchard Tang and cellist Priscilla Lee talk to children at the Metcalf School in Exeter, Rhode Island. Tang and Lee were performers in the Kingston Chamber Music Festival in 2008.
    EJL_080115_7556.jpg
  • Children a the Meadowbrook school raise their hands to question violist Burchard Tang and cellist Priscilla Lee. Tang and Lee were participants in the Kingston Rhode Island Chamber Music Festival in 2008.
    EJL_080115_2564.jpg
  • The cellist of the Dehler Quartet before a performance at chateau Talcy, a historic site in France's Loire Valley.
    98-F2-15.jpg
  • Rob Moose, Ben Russell (violins), Clarice Jensen (cello), and Nadia Sirota (viola) perform quartets composed by Bryce Dessner, Sufjian Stevens and Nico Muhly at the Brooklyn Academy of Music.
    EJL-130321-1025.jpg
  • Rob Moose, Ben Russell (violins), Clarice Jensen (cello), and Nadia Sirota (viola) perform quartets composed by Bryce Dessner, Sufjian Stevens and Nico Muhly at the Brooklyn Academy of Music.
    EJL-130321-1031.jpg
  • Rob Moose, Ben Russell (violins), Clarice Jensen (cello), and Nadia Sirota (viola) perform quartets composed by Bryce Dessner, Sufjian Stevens and Nico Muhly at the Brooklyn Academy of Music.
    EJL-130321-1063.jpg