Ed Lefkowicz photography

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  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
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  • MFA interior design student Laura Alexandra Suppan holds a sample of veneer used as a basic structural element in the lighting above her. The lighting was designed by a collaboration with students from Parsons The New School for Design with help from Alpi, the suppliers of the veneer.
    EJL-15515-2094.jpg
  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
    EJL-15515-2110.jpg
  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
    EJL-15515-2106.jpg
  • Fair attendees chat among furniture in the room devoted to design and designers from Mexico.
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  • Fair visitors relax in the booth of Menu A/S, a Danish design company.
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  • A woman plays with a wooden head covered in hair made from iron filings in the booth of La Tlapeleria, a booth dedicated to Mexican design. The theme is "Albures", a kind of double-entendre.
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  • A woman takes a photo of a lighting fixture made of LED-lit cubes by Graypants, a design firm based in Seattle and Amsterdam. This is a small part of the fixture, whih includes about 200 cubes.
    EJL-15515-2161.jpg
  • Light fixtures made of plywood frames and woven string on display in the booth of Wake Up Dear. Designer Suzuko Hisata is ion the center of the group on the left.
    EJL-15515-2115.jpg
  • A poster of a raptor (center) by Małgorzata Gurowska and of a figure boxing himself in by Pawel Jońca in the exhibit of Polish graphic design sponsored by Culture.pl, an online magazine of Polish culture sponsored by the Adam Mikiewicz Institute.
    EJL-15515-2083.jpg
  • A woman and her friend admire the tactile feel of a quilted wall hanging from Mexico.
    EJL-15515-2081.jpg
  • Fair visitors try their hands at designing and making their own lighting fixtures at Light Art, a Seattle lighting and fabrication design studio. The studio has also outfitted a van so the program, which they call ignite-create, can travel country wide.
    EJL-15515-2109.jpg
  • Brightly colored wooden chess pieces in the Mexican room.
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  • Posters by Jakub Jezierski (left) and Dawid Ryski (right) in the exhibit of Polish graphic design sponsored by Culture.pl, an online magazine of Polish culture sponsored by the Adam Mikiewicz Institute. The pun in the poster on the left works in English, but not in Polish.
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  • A representative from Foam Creations sits in an outdoor chair with colorful foam upholstery, a polyikefin foam.
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  • Designer Miguel Herranz of Krisa Decor stands between two pieces in his series Boho-Bling, made of brightly colored chains suspended from hoops, which jiggle when activated by pull strings.
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  • An elegant wooden bird designed by Lars Beller Fjetland in the Norwegian area. Wanted Design draws international exhibitors, including several natioanlly-sponsored exhiibits.
    EJL-15515-2014.jpg
  • A bouquet of wrenches accent a display of machine-inspired porcelain dining wear in the booth of Diesel Living with Seletti, a collaboration of Diesel and the Italian design firm.
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  • A cheese vendor at Alex Farm Products gestures from behind a wheel of Parmigiano-Reggiano at Toronto's St. Lawrence Market.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1233.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1215.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1022.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1171.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1140.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
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  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1117.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1115.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1090.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1078.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1073.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1068.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1064.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1048.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1034.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1006.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1005.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1168.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1091.jpg
  • Brooklyn, NY – 6 September 2016. The press run-through of the Norwegian art collective Verdensteatret's production of Bridge Over Mud at the BAM Fisher Theater's Fishman Space. Bridge over Mud (Broen over Gjørme in Norwegian) is part performance, part concert, part installation, and involves 195 feet of train track with moving lights and panels, and is part of BAM's 2016 New Wave Festival.
    EJL-160906-1026.jpg
  • Karen Chila-Ling Ho as Violetta and Alex Richardson as Alfredo in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1875.jpg
  • Karen Chila-Ling Ho as Violetta and Liz Lang as Annina in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1736.jpg
  • Alex Richardson as Alfredo in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1652.jpg
  • Spectacular projecttions in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1579.jpg
  • Spectacular projecttions in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1554.jpg
  • Rachel Pike as Flora and Sean Anderson as the marchese D'Orbigny  in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1516.jpg
  • Karen Chila-Ling Ho as Violetta and Robert Kerr as Giorgio Germont in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1370.jpg
  • Karen Chila-Ling Ho as Violetta and Robert Kerr as Giorgio Germont in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1273.jpg
  • Karen Chila-Ling Ho as Violetta and Alex Richardson as Alfredo in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1029.jpg
  • New York, NY, USA-23 March 2016. Volkswagen's VW logo, seen on a display wall at the New York International Auto Show behind a Touareg. VW had only 12 production vehicles and a concept car at the show, and no diesel cars.
    NY-Auto-Show-2016-1005.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1035.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1033.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1032.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1023.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1018.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1010.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1009.jpg
  • Thaddeus Phillips (creator/designer/performer) in the New York premiere of 17 Border Crossings at the Brooklyn Academy of Music's Fishman Space in the Fisher Theater. Tatiana Mallarino director; Patrick Kealey, dramaturg; Spencer Sheridan, Production Manager; Robert Klapowitz, sound design; Alessandra Calabi, production stage manager; David Todaro, lighting engineer.
    17_Border_Crossings-1006.jpg
  • Karen Chila-Ling Ho as Violetta in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1935.jpg
  • Karen Chila-Ling Ho as Violetta in Verdi'a La Traviata in the Philharmonia Orchestra's production at the Rose Theater at Jazz at Lincoln Center.
    EJL 180320 1933.jpg
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