Ed Lefkowicz photography

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  • Brooklyn, NY - 14 June 2020. The Nathan's hot dog outlet on the Coney Island boardwalk has its picnic tables covered in netting to prevent people from sitting down next to each other and maintaining social distancing under the COVID-19 regulations.
    EJL 200614 1012.jpg
  • A business man working outdoors in the plaza at Brookfield Place in Toronto's financial district.
    EJL-101015-1042.jpg
  • New York, NY - 31 October 2016. A woman representing Little Italy, complete wot a table with a red checked table cloth and covered in food  in the Greenwich Village Halloween Parade.
    EJL-161031-1212.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1222.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1326.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1265.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1234.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1209.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1170.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1162.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1142.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1128.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1087.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1016.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1388.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1360.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1304.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1294.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1291.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1259.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1255.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1226.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1221.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1218.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1193.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1185.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1166.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1158.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1147.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1116.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1078.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1061.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1033.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1030.jpg
  • The American premiere of The Table (Stolik), performed by the Polish ensemble Karbido, from Wroclaw, Poland, part of the 2013 Next Wave Festival at the Brooklyn Academy of Music.
    EJL-130918-1026.jpg
  • Tequila Completo (sangrita) by Tom and Rebecca Woodrum, Table 56 Catering
    EJL-120421-1073.jpg
  • Roasted beet and fig salad, by Rebecca and Tom Woodrum, Table 56 Catering
    EJL-120421-1063.jpg
  • Chocolate, pistachio and coconut cake with figs and berries by Rebecca and Tom Woodrum, Table 56 Catering.
    EJL-120421-1061.jpg
  • Pouring a sample of Marquis de la Tour.
    EJL-120204-1237.jpg
  • Tasting samples of French wines.
    EJL-120204-1230.jpg
  • Tasting samples of French wines.
    EJL-120204-1207.jpg
  • Roasted beet and fig salad, by Rebecca and Tom Woodram
    EJL-120421-1056.jpg
  • South African wines from Rustenberg and Indaba.
    EJL-120204-1300.jpg
  • Pouring a sample of Marquis de la Tour.
    EJL-120204-1249.jpg
  • A sample of Listran Medoc.
    EJL-120204-1244.jpg
  • Hakutsuru Jummai Ginjo sake, with a bottle of G Genshu sake in the background.
    EJL-120204-1088.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1204.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1022.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1015.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1191.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver and what seems to be a hank of human hair backstage.
    EJL 191211 1281.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver, a bird's claw, and some dried seahorses backstage.
    EJL 191211 1275.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1271.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Detail of two props.
    EJL 191211 1255.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1298.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1295.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1249.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1238.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1228.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1219.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1218.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1215.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1214.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1114.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a block of granite—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1077.jpg
  • Several tables for two are near the bar.
    EJL-130330-1279.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including hank of what seems to be humn hair backstage.
    EJL 191211 1278.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1270.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a bunch of grass, backstage.
    EJL 191211 1266.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A basin of washwater backstage.
    EJL 191211 1265.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1289.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a facilitator blows the remains of a green powder from his hand.
    EJL 191211 1168.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1161.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1151.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here squeeze bottles filled with different scents—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1134.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1125.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1106.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1100.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a cleaver—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1087.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a mason's hammer—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1079.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1030.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A facilitator brings in boxes of props.
    EJL 191211 1014.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. The participantys enter the space prior to the performance.
    EJL 191211 1009.jpg
  • Diners sit at tables outside the Shake Shack in Madison Square Park.
    EJL-110531-1120.jpg
  • New York, NY - 27 May 2014. CHef Chip Smith, The Simone, urning the tables on me.
    EJL-140527-2110.jpg
  • Several tables for two are near the bar.
    EJL-130330-1293.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props being moved backstage to be reset for the next performance.
    EJL 191211 1260.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1120.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here rocks of varying shapes and sizes—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1064.jpg
  • Diners sit at tables outside the Shake Shack in Madison Square Park.
    EJL-110531-1124.jpg
  • The sewing machines are mostly old Singers, with cast iron frames and mechanisms of machined metal—still durable, useful and repairable. Stacked on the table are a selection of specialty feet for the machine.
    EJL-170518-1015.jpg
  • A couple sits at an outside table at Kalendar, a café on College Street in Toronto's Little Italy neighborhood.
    EJL-101018-1056.jpg
  • New York, NY - 27 May 2014. General manager and wine enthusiast Tina Vaughn serving wne to a table of guests at The Simone.
    EJL-140527-2203.jpg
  • New York, NY, Sept. 10....shots of the restaurant Estela. Sommelier Thomas Carter pouring a bottle of wine for a table of diners.
    EJL-130910-1112.jpg
  • One long communal table is oppposite the bar.
    EJL-130330-1306.jpg
  • One long communal table is oppposite the bar.
    EJL-130330-1272.jpg
  • One long communal table is oppposite the bar.
    EJL-130330-1260.jpg
  • One long communal table is oppposite the bar.
    EJL-130330-1235.jpg
  • A man sits at a table covered in hard hats, with a sign from the International League for People's Struggle that reads "Occupy Wall Street! Not Afghanistan."
    EJL-111017-1048.jpg
  • A nineteenth-century shrine cabinet (chosham) is at the center of the shrine room at the Rubin Museum, with a Tibetan offering table in the foregrund.
    EJL 180322 1004.jpg
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