Ed Lefkowicz photography

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  • New York, NY - 30 April 2012. The parade passes 20th Street, on its way from 30th Street to Gansevoort Street. Some of the old railroad tracks can be seen amidst the greenery.
    EJL-120430-1236.jpg
  • New York, NY - 30 April 2012. Sweepers covered in pages of text sweep the way for the rest of the parade.
    EJL-120430-1195.jpg
  • New York, NY - 30 April 2012. The parade starts with an illuminated pen, which is followed by an accordionist and the rest of the marchers.
    EJL-120430-1090.jpg
  • New York, NY - 30 April 2012. A sweeper, festooned with pages of text, gets ready for the start of the parade.
    EJL-120430-1063.jpg
  • New York, NY - 30 April 2012. The Parade of Illumination honors the printed word in all its languages and forms. It opens the PEN World Voices Festival, a forum for the best of international literature, and in support of freedom of expression.
    EJL-120430-1052.jpg
  • New York, NY - 30 April 2012. The lions are carried down the High Line between two former warehouses. The High LIne is a public park built on a former elevated railway track on the west side of Manhattan, from 30th Street to Gansevoort Street.
    EJL-120430-1170.jpg
  • New York, NY - 30 April 2012. One of the papier-maché lions is illuminated by a large light from within a pen. The landmark Empire State Building is visible in the background.
    EJL-120430-1153.jpg
  • New York, NY - 30 April 2012. Two large, animated lions made of book-page papier-maché, with text still visible , were carried the length of the parade. The parade and its oversized puppetry was produced by The Processional Arts Workshop.
    EJL-120430-1120.jpg
  • New York, NY - 30 April 2012. Large replicas of magnifying glasses had text projected onto them from small hand-held projectors.
    EJL-120430-1104.jpg
  • New York, NY - 30 April 2012. Animated folios, lit from within, opened and closed as marchers carried them down the High Line.
    EJL-120430-1097.jpg
  • New York, NY - 30 April 2012. Marchers of all ages, and of many ethnicities, marched in the parade.
    EJL-120430-1094.jpg
  • New York, NY - 30 April 2012. This marcher carries a text in Hebrew.
    EJL-120430-1081.jpg
  • New York, NY - 30 April 2012. Marchers carrying back-lit texts in several languages preparre for the start. Participants in this year's festival came from Asia, Africa, Europe as well as the Americas.
    EJL-120430-1075.jpg
  • New York, NY - 30 April 2012. An accordionist warms up on the High Line near 30th Street prior to the start of the Parade of Illumination, opening the 2012 PEN World Voices Festival.
    EJL-120430-1030.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver and what seems to be a hank of human hair backstage.
    EJL 191211 1281.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a cleaver, a bird's claw, and some dried seahorses backstage.
    EJL 191211 1275.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1271.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Detail of two props.
    EJL 191211 1255.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1295.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1249.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1238.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1228.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1218.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1215.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1214.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1204.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1125.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1114.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a mason's hammer—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1079.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a block of granite—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1077.jpg
  • A couple relaxing at an outdoor table at Kalendar, a bistro on College Street in Toronto's Little Italy neighborhood.
    EJL-101018-1055.jpg
  • EJL-130710-1005a.jpg
  • EJL-130710-1002a.jpg
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  • EJL-130709-1001b.jpg
  • EJL-130707-2004a.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.  Props, including hank of what seems to be humn hair backstage.
    EJL 191211 1278.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a mason's hammer, a deer hoof, and a block of granite backstage.
    EJL 191211 1270.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props, including a bunch of grass, backstage.
    EJL 191211 1266.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A basin of washwater backstage.
    EJL 191211 1265.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Props being moved backstage to be reset for the next performance.
    EJL 191211 1260.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At th end of the performance, after a period with all the lights out, a plastic tarp is lowered, lit by gelled lights.
    EJL 191211 1298.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1289.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1219.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. At this point, the table covering is rolled up, and participants wash their hands one at a time.
    EJL 191211 1191.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a facilitator blows the remains of a green powder from his hand.
    EJL 191211 1168.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1161.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1151.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here squeeze bottles filled with different scents—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1134.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a sealed container of yellow liquid and a red gelatinous blob—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1120.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1106.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a bunch of grass—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1100.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here a cleaver—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1087.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects—here rocks of varying shapes and sizes—or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1064.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator.
    EJL 191211 1030.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1022.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. Here a long tape is passed down the table.
    EJL 191211 1015.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. A facilitator brings in boxes of props.
    EJL 191211 1014.jpg
  • Brooklyn, NY - 11 December 2019. A performance of In Many Hands in BAM's Fishman Space, by Kate McIntosh in collaboration with Arantxa Martinez and Josh Rutter; sound design by John Avery; lighting design by Joëlle Reyms. The piece involves participants sitting at 3 long, narrow tables, with facilitators at each end, and either passing along objects or repeating hand movements in the manner set by a facilitator. The participantys enter the space prior to the performance.
    EJL 191211 1009.jpg
  • A couple sits at an outside table at Kalendar, a café on College Street in Toronto's Little Italy neighborhood.
    EJL-101018-1056.jpg
  • New York, NY - 31 October 2016. A woman costumed as if in bed, with a night stand, headboard, and background with a painting reminiscent of Van Gogh's "Starry Night."
    EJL-161031-1261.jpg
  • Joe Silver and Justin Horowitz, the two principals of Westkill, in front of some of their wall clocks, which feature designs silkscreened onto wood. BklynDesigns is part of NYCxDesign, a week-long design festival in New York City.
    Bklyn-Designs-2015--1002.jpg
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  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A couple dressed as two women with big hair from the 60s.
    EJL 191031 1161.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A man dressed as a bride, with very red lips, and heavy-metal styled makeup.
    EJL 191031 1150.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A costume with a blood-filled tube going from cheek to mouthpiece, and otherwise defyign categorization.
    EJL 191031 1149.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman with a spider crawling up her face stands with a man with a death's head.
    EJL 191031 1143.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A beared wizard with his staff and bottles of potions.
    EJL 191031 1139.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. Donald Trump appears to carry a smiling Barack Obama on his back.
    EJL 191031 1137.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. Three women dressed as calavera catrinas.
    EJL 191031 1103.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A clergyman and his consort, he with a lined face covered in lesions, she wearing leather and lace.
    EJL 191031 1092.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A man in an elaborate costume, wih a skull erupting in blue flames.
    EJL 191031 1088.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue.
    EJL 191031 1033.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman costumed as a jukebox / sousaphone, with HELL lettered on the bel of the instrument, and a rat running out of it.
    EJL 191031 1027.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue.A performer with sparkly gossamer wings
    EJL 191031 1016.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A man costumed as Edward Scissorhands.
    EJL 191031 1003.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A man costumed as a flying saucer.
    EJL 191031 1199.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. Medusa with snakes for hair.
    EJL 191031 1193.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman in a mask appropriate for carnivale in Venice.
    EJL 191031 1191.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman and a girl vamp for the camera.
    EJL 191031 1190.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. Two young men costumed as boxers.
    EJL 191031 1186.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. Two figures in masks with signs asking for Trump's impeachment.
    EJL 191031 1184.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A man costumed as a skeleton, with elaborately feathered pieces.
    EJL 191031 1180.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman elaborately costumed as a calavera catrina.
    EJL 191031 1179.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A calavera catrina and her escort.
    EJL 191031 1159.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A scary beast costume.
    EJL 191031 1157.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. Women costumes as spacewomen, with disco-ball heads and silver lame jumpsuits.
    EJL 191031 1153.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman in a deep plum velvet dress and steampunk goggles bears scars on her chest.
    EJL 191031 1148.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman in an elaborate dress with panniers wears a pink wigm elaborate headgear and a mask with jeweled death's head.
    EJL 191031 1145.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A performer in a feathered and sparrkly costume.
    EJL 191031 1141.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A chained scarecrow.
    EJL 191031 1131.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A calavera catrina is accompanied by a woman in Victorian costume.
    EJL 191031 1129.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A woman wears a trash bag festooned with bits of trash, and accies two signs, one lambasting the Koch brothers for "planet destruction & pollution" and the other lambasting Mt Gaetz for "terminating EPA."
    EJL 191031 1127.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A man carries a sign reading "Run with Warren 2020 NYC Marathon 2019."
    EJL 191031 1119.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A man costumed as a pope with a death's head, complete with robes, papal ferula, and  mitre.
    EJL 191031 1111.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A child and adults, all in costume.
    EJL 191031 1084.jpg
  • New York, NY - 31 October 2019. the annual Greenwich Village Halloween Parade along Manhattan's 6th Avenue. A blood-soaked mouth and a stark white face.
    EJL 191031 1080.jpg
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