Ed Lefkowicz photography

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  • Jason Kao Hwang and his trio at Kazz and Colors, with Chris Forbes on piano and Ken Filiano on bass.
    EJL-121110-1242.jpg
  • Bassist Ken Filiano backs up Jason Kao Hwang at Jazz and Colors in Central Park.
    EJL-121110-1227.jpg
  • Jason Kao Hwang playing jazz at Jazz and Colors in Central Park. Hwang is a composer and performer.
    EJL-121110-1222.jpg
  • The bookmatched figured maple back of a cello from Chacoone Co, in Nagoya.
    EJL-130315-1402.jpg
  • Japanese Soloist Madoka Miki plays a violin from Chaconne Co. Ltd. from Nagoya. Several Japanese firms exhibited at Mondomusica.
    EJL-130315-1368.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1262.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1250.jpg
  • A man examines an instrument in the booth of French dealer Jean Yves Tanguy.
    EJL-130315-1199.jpg
  • Paul Dulude, right, shows a violin to Johnny Weizenecker, a music student at Gettysburg College.
    EJL-130315-1119.jpg
  • A violin from the collection of Nick Frirsz, of Frirsz Music. The violin was made in 1947, and was taken apart and smuggled out of Hungary when the family escaped the communists.
    EJL-130315-1318.jpg
  • Finger planes for sale. These small brass-bodied planes are used to shape small and curved surfaces.
    EJL-130315-1305.jpg
  • A visitor plays a violin from Scott Cao Violins, from Campbell California.
    EJL-130315-1271.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1240.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1219.jpg
  • Instruments from the Brobst Violin Shop in Alexandria, Virginia.
    EJL-130315-1189.jpg
  • Maple tonewoods for sale. Maple is often used for sides and backs.
    EJL-130315-1175.jpg
  • A pestle and sheet of plate glass used for grinding pigments by hand in the booth of Germany's Kremer Pigments. The pigments are ground from traditional materials to fill the  needs of restorers of instruments and fine art.
    EJL-130315-1152.jpg
  • Instruments in the booth at Paul Dulude, a Boston dealer in musical instruments.
    EJL-130315-1142.jpg
  • A woman examines a violin displayed by the Chamber of Commerce of Cremona. Cremona, home of Antonio Stradivarius, has long been a center for violin making.
    EJL-130315-1082.jpg
  • A man looks at violins in a display case. The Chamber of Commerce of Cremona showed many antique and valuable string instruments from Cremonese makers.
    EJL-130315-1062.jpg
  • Luthier Gabriela Guadalajara shows a viola da Gamba to a show visitor.
    EJL-130315-1043.jpg
  • Pieter Affourtit plays with one of his snakewood baroque-style bows with a "pike" or "swan-bill" head.
    EJL-130315-1037.jpg
  • Gordon Carson of Mountain Voice Soundwoods in Valemont, BC, Canada, with samples of spruce. Wood for musical instruments is split from the tree trunk, and adjoining planks are numbered so the grain will be bookmatched in the finished instrument.
    EJL-130315-1029.jpg
  • Edgar Russ, an Austrian-born luthier with a workshop in Cremona, tunes a cello.
    EJL-130315-1010.jpg
  • A visitor tries a violin by Florian Leonhard Fine Violins of London.
    EJL-130315-1416.jpg
  • Visitors shop for wood at Tone Wood International. from Cremona.
    EJL-130315-1345.jpg
  • A visitor tries a violin from Scott Cao Violins, from Campbell California. Cao is in the center of the frame, in the green sleeveless sweater.
    EJL-130315-1283.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1255.jpg
  • Zoran Markowi?, of ZMT, a Slovenian maker of tailpieces, plays a double-bass. Unlike traditional tailpieces, ZMT tailpieces have a longer distance from the bridge to the tailpiece for the bass strings.
    EJL-130315-1230.jpg
  • Jean Yves Tanguy, a French restorer of musical instruments, in the process of retrieving a sound post that has slipped out of place. The sound post is wedged in place under the bridge, between the face and back of the violin, to transmit sound from the strings to the back.
    EJL-130315-1203.jpg
  • Jay Haide, a dealer in fine violins, in his booth.
    EJL-130315-1154.jpg
  • A member of the staff at Paul Dulude, a Boston dealer in violins, plays.
    EJL-130315-1110.jpg
  • Visitors framed by violins discuss the show.
    EJL-130315-1087.jpg
  • Joseph Regh, of Regh Violins, shows one of his bows. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1051.jpg
  • Bows made by Joseph Regh, of Regh Violins. Regh was a physicist who worked for IBM, and brings his scientific training to his violin and bow making.
    EJL-130315-1046.jpg
  • Baroque-style violin bows made of snakewood by Pieter Affourtit of the Netherlands.
    EJL-130315-1041.jpg
  • A contemporary lute made by Gamut Music of Duluth, Minnesota.
    EJL-130315-1405.jpg
  • A couple examines the scroll of a violin in the booth of the American Federation of Viollin and Bow Makers.
    EJL-130315-1339.jpg
  • Visitors try instruments at Carriage House Violins, from Newton Upper Falls, Massachusetts.
    EJL-130315-1266.jpg
  • Violin maker Paul Davies, left, of Spur Violins in New York, discusses his new line of electric violins.
    EJL-130315-1145.jpg
  • Johnny Weizenecker, a music student at Gettysburg College, tries a violin made by contemporary Genovese luthier Pio Montanari in the booth of Boston's Pal Dulude.
    EJL-130315-1136.jpg
  • A woman looks at a violin displayed by the American Federation of Violin and Bow Makers.
    EJL-130315-1106.jpg
  • Visitors examine violins. Violins at Mondomusica ranged from basic student instruments to rare vintage violins.
    EJL-130315-1065.jpg
  • Tetsu Suzuki, a maker and resstorer of string instruments and bows, plays a double bass.
    EJL-130315-1008.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage with Esperanza Spalding.
    EJL-170728-5504.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5430.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage with Esperanza Spalding.
    EJL-170728-5471.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird and his band on stage.
    EJL-170728-5394.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird and his band on stage.
    EJL-170728-5325.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5098.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird and his band on stage.
    EJL-170728-5336.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5130.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage.
    EJL-170728-5108.jpg
  • Music amd readig in the 42d Street subway station at Bryant Park.
    EJL-150607-1032.jpg
  • Brooklyn, NY - 28 July 2017. A crowd estimated at 9,000 filled the Prospect Park Bandshell, with an estimated 3,000 outside the fence, for a concert by Esperanza Spalding and Andrew Bird at the BRIC Celebrate Brooklyn! Festival. Andrew Bird on stage with Esperanza Spalding.
    EJL-170728-5482.jpg
  • Brooklyn, NY, 26 September 2013. Violinist Jessica Moss in Jem Cohen’s We Have an Anchor, part of the Next Wave Festival at the Brooklyn Academy of Music (BAM).
    EJL-130926-1054.jpg